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{"id":938795,"type":0,"block_id":"100001919010317_1366105360","theme_id":29,"user_id":322088,"path":"Mkslas-stili-1362","title":"","pubtitle":"Mākslas stili","tags":"","public":true,"publicAccess":true,"private_link_enabled":0,"thumb":"https://s3-eu-west-1.amazonaws.com/infogram-thumbs-200/100001919010317_1366105360.jpg","width":550,"copyright":"","properties":{"publishType":0,"transparent":false,"rtl":false,"export_settings":{"showGrid":true,"showValues":true},"whitelabel":false,"embed_button":"enabled","title_link":"infogram","custom_logo":"infogram","custom_link_url":"","embed_button_text":"Share","decimal_separator":".,"},"elements":[{"type":"particle","particle_id":997583,"object_id":"1000019190103171366733248","particle_type":"maintitle","picture":null,"text":"Pārsteidzoša māksla","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":926451,"object_id":"1000019190103171366105377","particle_type":"maintitle","picture":null,"text":" Sirreālisms","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":926506,"object_id":"1000019190103171366105681","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/1000019190103171366105681.png"},{"type":"particle","particle_id":926509,"object_id":"1000019190103171366105692","particle_type":"bodytext","picture":null,"text":"Salvadors Dalī ( Mīkstie pulksteņi) -1931","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":926547,"object_id":"1000019190103171366105929","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/1000019190103171366105929.png"},{"type":"particle","particle_id":926550,"object_id":"1000019190103171366105940","particle_type":"bodytext","picture":null,"text":"Salvadors Dalī (Narcisa metamorfoze) -1937","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":926570,"object_id":"1000019190103171366106052","particle_type":"bodytext","picture":null,"text":"Pazīmes\n1. Attēlotās gleznas ir starp sapni un īstenību, jo mēs varam saskatīt pulksteni, bet tas nav reāls, ka arī otrajā gleznā cilvēku siluetus, kas arī nevar eksistēt, bet mēs tos novērojam gleznā.\n2. Spontānas gleznas, jo zimēja to kas pirmais ienāca prātā. Nav pārdomatas un saplanotas.\n3. Apvienots skaistais un neglītajs, dzīve un nāve, kā arī reālais un iztēlotājs, piemēram, otrajā gleznā no labās puses var just - dzīvību, skaistumu, bet no kreisās - neglito un nāvi. \n4. Fantastiskums. Salvadora Dalī gleznās mēs novērojam fantastiskas būtnes, nerealitāti, piemēram, galvas vietā ir ola.\n5. Brīvas asociācijas. Katram ir atšķīrīgs pasaules redzējums.Cītīgi vērojot gleznas, katrs cilvēks spēj ieraudzīt atšķirīgo, piemēram, dažiem atgādina cilvēku ar olu galvas vietā, citam balerīnu ar sakoptiem matiem.","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":994450,"object_id":"1000019190103171366721317","particle_type":"bodytext","picture":null,"text":"Secinājumi\n1. Sirreālisti dzīvo sapņos un fantazē, bet tājā laikā neaizmirst par realitāti, par to kas notiem apkart, par savu ikdienu.\n2. Ar sirreālisma stilu cilvēki grib redzēt vairāk par redzamo, lai izdarītu savu iekšējo pasauli plašāku, lai nebaidītos sapņot par nereālo un fantazēt, kā arī piešķirt pārdabiskas spējas sev vai dzīvniekiem.","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":994559,"object_id":"1000019190103171366721827","particle_type":"maintitle","picture":null,"text":"Abstrakcionisms","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":994593,"object_id":"100001919010317_1366721960","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366721960.jpg"},{"type":"particle","particle_id":994596,"object_id":"1000019190103171366721971","particle_type":"bodytext","picture":null,"text":"Džeksons Polloks (White Light) - 1950","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":994614,"object_id":"100001919010317_1366722082","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366722082.jpg"},{"type":"particle","particle_id":994647,"object_id":"1000019190103171366722236","particle_type":"bodytext","picture":null,"text":"Kazimirs Maļēvičs (Suprematist Composition) -1915","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":994671,"object_id":"1000019190103171366722305","particle_type":"bodytext","picture":null,"text":"Pazīmes\n1. Atsakoties no tradicionālā. Skatoties uz abstrakcionisma glēznam varam iztēlot jebko, katram glezna asocējās ar kaut ko citu. Gleznas, kuras ir pilnas ar iztēli, un neparastas, viņās nav nekā tradicionāla.\n2. Mākslinieki izmanto līnijas, plaknes un krāsas ar ko viņi sasniedz tādu pārsteidzošu rezultātu, jo skatoties uz abstrakcionisma gleznām, vienmēr var aizdomāties par dzīvi, par pasauli. Džeksona Polloka gleznā var novērot krāsas daudzveidību, kas atgadīna steidzību dzīvot. \n3. Spilgti ir attēlotas jūtas. Džeksons Polloks bija teicis, ka viņš grib izteikt savas jūtas, nevis tās ilustrēt. Skatoties uz viņa darbu var pamanīt viņa jūtas, piemēram, steidzību, saspīlējumu, ātrumu.\n4. Pārdzīvojumi, kurus novērojam, skatoties uz gleznu ir kaut kas īpašs. Mākslinieki atver savus pārdzīvojumus visiem caur gleznu. \n5. Bezpriekšmetiskā mākla. Mākslinieki zimē neparastas gleznas, kurās mēs nevaram novērot pierastas mums lietas, vai priekšmetus, kā arī dzīvās būtnes, nav cilvēku, nav dzīvnieku.","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995544,"object_id":"1000019190103171366725255","particle_type":"bodytext","picture":null,"text":"Secinājumi\n1. Cilvēki gribeja izteikt savas jūtas tā, lai skatītāji varētu tās novērot.\n2. Mākslinieki atteicas no tradicionālā. Viņu darbos nevaram novērot priekšmetus, dzīvas būtnes. Viņi strādāja ar līnijām, krāsām, lai glezna sanāktu neparasta un burvīga, lai sabiedrība nebaidītos fantazēt, skatoties uz jūtam. ","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995612,"object_id":"1000019190103171366725661","particle_type":"maintitle","picture":null,"text":"Impresionisms","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995626,"object_id":"100001919010317_1366725721","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366725721.jpg"},{"type":"particle","particle_id":995629,"object_id":"1000019190103171366725739","particle_type":"bodytext","picture":null,"text":"Oskars Klauds (Cloude Monet) - 1840-1926","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995630,"object_id":"100001919010317_1366725749","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366725749.jpg"},{"type":"particle","particle_id":995632,"object_id":"1000019190103171366725763","particle_type":"bodytext","picture":null,"text":"Konstantīns Korovins (Rozes) - 1930","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995636,"object_id":"1000019190103171366725771","particle_type":"bodytext","picture":null,"text":"Pazīmes\n1. Lūkojot šīs bildes, var pamanīt, ka Impresionisma stilam ir rakturīgas gaišas krāsas un koši toņi, kas padara gleznu pozitīvu un pievērš cilvēku uzmanību.\n2. Impresionisma stilā neizmanto melno krāsu, bet otrādi cenšās pievērst uzmanību gaišiem toņiem, jo gaiši toņi liecina cilvēku domāt pozitīvi un nepievērst uzmanību negatīvām emocijām.\n3. Skatoties uz Oskara Klauda gleznu, var pamanīt, ka viņa ir zīmēta uz plenēra, jo autors centījās attēlot viso - ko viņš redz. \n4. Abās Impresionisma gleznās, mēs varam saskatīt, ka krāsas tiek biezi klātas ar otiņām, ar īsiem otas triepieniem.\n5. Konstantīna Korovina gleznā var pamanīt ēnu krāsas un krāsu atspīdumus, kas padara gleznu vēl dzīvāku. ","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995871,"object_id":"1000019190103171366726954","particle_type":"bodytext","picture":null,"text":"Secinājumi\n1. Visbiežāk Impresionisti tēlo dabas ainavas, kuras parāda cik cieši Impresionisti ir saistīti ar dabu, viņiem ir svarīga katra attēlotā dabas detaļa, kuras viņi rūpīgi izstrādā.\n2. Impresionisti velta daudz laika savām gleznām, viņi pievērš lielu uzmanību un pilnīgi pakļaujās katram zīmējumam. Cenšās attēlot ne tikai redzēto, bet arī attēlot cilvēku emocijas, attēlot atmosfēru, tas parāda cik Impresionistiem ir svarīgas jūtas un cilvēka emocionalitāte.","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995944,"object_id":"1000019190103171366727387","particle_type":"maintitle","picture":null,"text":"Kubisms","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":995948,"object_id":"100001919010317_1366727417","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366727417.jpg"},{"type":"particle","particle_id":995950,"object_id":"1000019190103171366727425","particle_type":"bodytext","picture":null,"text":"Huāns Griss (Pikaso portrets) - 1912","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":996118,"object_id":"100001919010317_1366728161","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366728161.jpg"},{"type":"particle","particle_id":996008,"object_id":"1000019190103171366727738","particle_type":"bodytext","picture":null,"text":"Pablo Pikaso (Aviņonas meitenes) - 1906-1907","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":996136,"object_id":"1000019190103171366728208","particle_type":"bodytext","picture":null,"text":"Pazīmes\n1. Abās gleznās var pamanīt ģeometrisko figūru dažādību (trījstūris, kubs, rombs, kvadrāti, paralellogrami, plaknes, līnijas u.c), vienkāršojot ķermeņus.\n2. Gleznās priekšmeti izskatās it kā relatīvi. Viņi ir saskatāmi no vairākiem skatpunktiem (no augšas, no apakšas, no iekšpuses un no ārpuses) un nevienam netiek dota prioritāte.\n3. Cilvēku sejas, piemēram Huāna Grissa gleznā, ir uzbūvētas no vienkāršiem elementiem: kvadrāti, trījstūri, pusapļi, līdz ar to gleznā saskatāma specifiska deformācija.\n4. Aiziešana no realitātes, mākslinieks centījās attēlot savu realītāti, tādu, kas iederas pārējā realitātē. Gleznās cilvēki var novērot cilvēkus, bet viņi neizskatās reālistitski, jo viņu figūras ir iztēlotas un ģeometrizētas.\n5. Kubisma gleznām ir atšķirīgas nozīmes, piemēram, uz Pablo Pikaso gleznas var skatīties no dažādiem skatpunktiem, līdz ar to katram cilvēkam var rasties dažādas asociācijas, piemēram viens cilvēkas pievērš uzmanību uz personāžiem, bet citi piesaista uzmanību apkārtējām detaļām gleznā.","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":996768,"object_id":"1000019190103171366730042","particle_type":"bodytext","picture":null,"text":"Secinājumi\n1. Kubisti vienmēr lidoja savās domās, viņiem nebija svarīgi apkārtējie viedokļi, viņa ieklausijās tikai sevī un pakļaujās tikai savai fantāzijai, to var droši secināt pēc Pablo Pikaso teiktā: \"Es gleznoju to, ko es domāju, nevis to, ko es redzu\".\n2. Kubisti pievērsa uzmanību kārtībai, to var secināt pēc viņu gleznām, viņi kārtīgi kombinēja ģeometriskās figūras tā, lai sanāktu ideāla glezna.","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":997118,"object_id":"1000019190103171366731064","particle_type":"maintitle","picture":null,"text":"Futūrisms","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":997140,"object_id":"100001919010317_1366731119","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366731119.jpg"},{"type":"particle","particle_id":997146,"object_id":"1000019190103171366731138","particle_type":"bodytext","picture":null,"text":"Luigi Russolo (Dynamism of an Automobile) -1912-1913","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":997143,"object_id":"100001919010317_1366731125","particle_type":"image","picture":"http://s3-eu-west-1.amazonaws.com/infogram-particles-700/100001919010317_1366731125.jpg"},{"type":"particle","particle_id":997148,"object_id":"1000019190103171366731141","particle_type":"bodytext","picture":null,"text":"Gino Severini (Sea=Dancer) -1913","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":997149,"object_id":"1000019190103171366731145","particle_type":"bodytext","picture":null,"text":"Pazīmes\n1. Attēloja pārvietošanas līdzekļus, Luigi Russalo gleznā var saskatīt automašīnu, kura nepārtraukti pārvietojās. \n2. Gleznas veidojas pārklajumu tehnikā, to varam novērot abās gleznās. Figūras ir sasmalcinātas un pārvietotas viena blakus otrai, tā rodas iespaids ka gleznas prieksmeti kustas.\n3. Futūristi noliedz normas, tradicījas, pagātni, jo viņi tiecas aplūkot objektus, parādības arpus konteksta.\n4. Objektiem, kas ir attēloti gleznās ir raksturīgs ātrums, temps, enerģija, kustība. Gino Severini glaznā var redzēt ātrumu un neatkartojamo enerģiju.\n5. Agresīvs pasaules redzējums, ir novērojams abās gleznās, jo krāsas strauji pārvietojas ar pardabisko ātrumu, ka arī krāsas ir ļoti spilgtas, emocianālas, enerģiskas. ","content_type":"","title":"","shrink":null},{"type":"particle","particle_id":997430,"object_id":"1000019190103171366732583","particle_type":"bodytext","picture":null,"text":"Secinājumi\n1. Izmantojot spilgtas krāsas mākslinieki attēloja savas agresivas emocijas, tas nozīmē, ka viņiem bija daudz negatīvītātes un uztraukuma.\n2. Cilvēki gribēja sekot inovācijam, tāpēc attēloja mašīnas, kustību, ātrumu, enerģiju. Viņi negribēja atcerejas par pagatni un par visām pierastām normām, jo dzīvoja šodienā un attēloja jaunumus.","content_type":"","title":"","shrink":null}],"theme":{"createdAt":"2016-04-22T04:54:07.000Z","updatedAt":"2016-12-28T10:33:06.000Z","logoImages":[""],"charts":{"wordcloud":{"labels":{"fontWeight":"700","fontFamily":"Arial"}},"treemap":{"labels":{"value":{"fontFamily":"PT Sans Narrow"},"name":{"fontWeight":"700","fontFamily":"PT Sans Narrow"}}},"table":{"cellBackground":"#ffffff","headerBackground":"#eeeeee","cellColor":"#444444","headerColor":"#444444","shapeFill":"307d99"}},"color":{"bg":"#ffffff","text":"#000000","chart":{"bg":"transparent","text":"#767676"},"element":{"bg":"transparent","text":"#000000"}},"colorPresets":[],"localFonts":[],"font":{"common":{"fontFamily":"PT Sans 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